Who is Salman Toor?
Salman Toor's sumptuous and insightful figurative paintings depict intimate and everyday moments in the lives of "fictional" and queer youth, ensconced in contemporary cosmopolitan culture. His work oscillates between uplifting and harrowing, seductive and moving, inviting and mysterious.
In many of her paintings, she creates subtly disarming representations of familiar domestic environments in which often marginalized bodies flourish in safety and comfort. In other pieces, Toor creates allegorical spaces of waiting, anticipation, and apprehension; border crossings to a world that may or may not be welcoming. At the center of her work are the anxieties and comedy of identity. When creating his figures, he employs and destabilizes specific tropes to reflect on how difference is perceived by himself and others. As Whitney curators Christopher Lew and Ambika Trasi have noted, Toor's project examines "vulnerability in contemporary public and private life and the notion of community in the context of queer and diasporic identity." Furthermore, by portraying the mundane and memorable moments in his characters' lives, Toor reveals a deeply relatable existence, creating an opportunity for empathy through the language of painting.
Salman Toor career
Salman Toor's sumptuous figurative paintings canonize the lives, loves and struggles of queer men of color. Born in Pakistan, the New York-based artist focuses primarily on scenes of lean, languid dark-skinned figures drinking, dancing and finding love in an emerald-tinged metropolis. Creating more or less open art historical references, Toor updates European portraiture traditions to include subjects that the Western canon had previously elided. He received his MFA in painting from the Pratt Institute and has since exhibited in London, New Delhi, Los Angeles, Lahore, Karachi and New York, where he enjoyed a solo exhibition at the Whitney Museum of American Art. Toor's artistic education was in academic painting, having spent years studying and copying the works of Rococo, Baroque and Neoclassical artists such as Caravaggio, Peter Paul Rubens, Anthony van Dyck and Jean-Antoine Watteau, incorporating their styles into his own original compositions.
While many of Toor's paintings focus on joy and community, the artist also portrayed the prejudices and dangers communities of color face in contemporary society. Toor's works vary in style, from meticulously executed history paintings in 19th-century style to vaguely painted and abstract figures, employing both East and West design elements and visual language. pop culture. He has had several solo exhibitions in the US and Pakistan and has been featured as an artist and writer in publications such as ArtAsiaPacific, Wall Street International, The Express Tribune and The Friday Times.
The love for costume design in the art of Salman Toor
Contemporary and historical styles blend together to deliberately confuse class, culture and individuality, sometimes adding a layer of humorous absurdity to dark subjects. The Yellow Group (2022) depicts a motley crowd - a patched-up beggar, a bald old man with a puppet nose, a blue-eyed adventurer in a Napoleonic hat, and a dark Muslim woman in a head covering - waiting humbly on the threshold of a shopping counter. immigration. The cameras that point at these travelers function as tools of control and surveillance, while in works such as O Artista (2022) they are used for portraits of self-empowerment. Toor's emphasis on the way appearance is examined brings to light the way in which identity is externally determined and internally defined.
Another important resource that Toor employs in his work is the use of allegory, exemplified in the recurring scenes of imaginary museum spaces such as The History Room (2022). In fact, the love for costume design stands out in Toor's work. In this painting, a man confronts a mysterious array of museum artifacts, including Roman portrait busts, fragments of wooden figures and an open book. These objects provide a critical look at the way museums historically enabled and supported systems of classification and colonial plunder. The painting also raises questions: does the protagonist just find these objects by chance, or is he here to retrieve or regret them?
Salman Toor's influence on contemporary art
The main body of Salman Toor's work is thus composed of exuberant and figurative interior scenes, and is focused on young queer men living in New York or the cities of South Asia. In a semi-autobiographical fashion, without overtly portraying himself or friends and family, Toor presents paintings of public and private spaces that provide an intimate window into intersections of queer and diasporic identities.
Strong emotions are conveyed through the faces of the figures present in Salman Toor's paintings, in environments richly populated with ephemeral objects of modern life, including smartphones, chargers, food and drink. As the artist explained in an interview, he is interested in scenes that define 'relationships and moments that make up the experience of being an immigrant, a painter and a queer person in an urban environment'. Enhancing his scenes with fantastical and dramatic elements, Salman Toor renders them with sinuous lines and palettes of soft browns and greens, interrupted by pinks and yellows that stand out in the overall composition. As evidenced by Salman Toor's solo show at the Whitney Museum in 2020, and appearances at the Lahore Biennale in Pakistan and the Kochi-Muziris Biennial, the artist is an emerging presence on the international and New York art scene.
Salman Toor evokes lush, atmospheric interiors, realms occupied by queer, worldly urban men who dance, drink and stare at the glow of their smartphones. Toor's scenes simultaneously convey a sense of warmth, nostalgia, and alienation. The works explore representations of male gay identity and reveal the tension between the public and private spheres. Indeed, amidst the deluge of gay male artists creating figurative work these days, Salman Toor stands out from the crowd.
